《D岛水下考古》这个作品虚构了一个的水下考古发现：一个未知文明的面世，而创造这个文明的智慧生物是蘑菇形状的未知生命。

这个作品从制作到展出的过程，都是按照现在考古学逻辑进行伪造，整个过程包括：地质发现、挖掘现场、资料研究、线索之间的联系与推演，智慧生物体的外形复原，最后公之于世(包括新闻报道和在’博物馆’展示)。

这个作品创造了一个没有人类存在的世界。整个“考古事件”用的现实世界中被广泛接受的考古学叙事，我将其中的研究对象替换掉了之后，推演出一个荒诞的结果，从而让现实的逻辑与现实本身相冲突。这个作品表达了我对人类在过去以及未来的世界中的主体性的思考，并隐喻了我对人类文明真实性的质疑。

This work named ‘  Discovery of Wonderland–D  ’ constructs a fictitious underwater archaeological discovery:  the emergence of an unknown civilization, and the intelligent creatures that created this civilization are unknown beings in the shape of mushrooms.

The process from production to exhibition of this work was all forged. The whole process includes: geological discovery, excavation site, data research, connection and deduction between clues, restoration of the appearance of intelligent organisms, and finally make it public (including news reports and exhibitions in ‘museum’), all according to the current archaeological logic.

This work creates a world without human existence. The whole ‘archaeological event’ used the widely accepted archaeological narrative in the real world. But after replacing the research objects in it, an absurd result was deduced, which made the logic of reality conflicts with reality itself. This work expresses my thinking about the subjectivity of human beings in the past and the future, and it also metaphors my doubts about the authenticity of human civilization.