这个系列名为《我知道的并不多于我现在的所知》，是《永恒的未来》的项目分支.还在创作阶段，包括数码摄影，记忆游戏卡片以及相关的一些绘画和文字。从“非人工自然”这个研究路径出发，我将创作切入点专注于捕捉人和自然景观的关系中出现的微妙的尴尬感和距离感。从而展现了离开了城市景观的范畴之后，面对自然时，人的“局外者”的身份如何被进一步强调。

This work is the branch project of ‘ The Lasting Future’, which is in progress from 2019. Currently there are about 12 photographic pictures，memory game cards and some related paintings and texts. Starting from the research path of ‘non-artificial nature’, I focus on the entry point to capture a kind of subtle awkwardness and sense of distance in the relationship between human and landscapes. This work shows how human’s ‘outsiders’ position is further emphasized when facing non-artificial nature after escaping from the piled up urban spectacles.

摄影部分所呈现出来的样貌是纪实拍摄，实际上是经过了数码修改和重组，以呈现出要传达的“局外感”：人在自然景观中的出现如同刚刚登上了未知星球的表面。在拍摄时，我选取风景扁平化的角度，加上后期的对图像细节的数码处理，使画面形成一个无上下文、无明确时间空间界限的“舞台布景”（tableaus），人或人造物出现在这个tableaus上，却与之缺乏着叙事上的关联。图像中所有人的出现似乎是一个瞬间，一个对自然而言可以被完全忽略的瞬间。

The appearances presented by these photography seems to be documentary, in fact they have been digitally modified or reconstructed, in order to emphasize the “the outlier” feeling：the appearance of human in landscape is like having just landed on the surface of an unknown planet. When shooting the original images, I chose a flat angle of the landscape, coupled with the digital processing of the details, so that the images formed a stage setting (tableaus) without context, lacking the spatiotemporal axis. People and man-made objects appear inside this "tableau", but lack a narrative connection. The appearance of human in the image seems to be an instant that can be completely ignored by nature.