永恒的未来 The Lasting Future
“永恒的未来”展出现场 · 部分装置运转片段  
Documentary of part of installation from “The Lasting Future” project
 
 
“在明亮刺眼的白日光线里弥漫的危险感,是可以填充在所有阳光照耀的地方。
白色的空气中,浓密树叶的反光里,静止的蓝天白云上…
同时,也在身边人们毫无感知的眼神中,
 对,这更令他恐慌并毛骨悚然:为什么他们对危险毫无知觉?
 
危险倒灌地侵入他的身体,让他无处遁逃。
所以,他一直更喜欢留在阴影里,
黑暗带给他安全感,如同孩童时代的夜里独自入睡时,把全身裹在被子里的那种安全感。
….”     
 
——节选自金晶的文字创作
 
“永恒的未来”这个作品延续了金晶对所生存的城市空间的深层面的质疑和探索,从而进一步延伸到对所生存的“世界”的思考。作为一个无法被准确回答的提问,艺术家通过静态照片,影像和机械的组合将自身的提问转变为有限的视觉片段,来呈现某种正在异化的状态。这种异化状态在人作为主体的城市空间中是隐藏性的和不易察觉的:作品中所有的构建元素都是源自现实世界,而当观者置于这个被构建的“世界”之中时,会感受到它在细节上发生着微妙且不可信的变化,从而使这个“世界”在宏观上趋向陌生化,与现实产生距离感。
 
Succeeding Jin Jing’s in-depth query and exploration of the city space, The Lasting Future stretches further to the reflections on the “world” she is situated. Since this question can hardly be answered accurately, the artist changes her questions into limited visual segments with a combination of photographs, videos and installations so as to present an alienating status. This status is inconspicuous and undetectable in a city space dominated by human beings. All the visual segments constructed this work are from our real world. But when the viewers are placed in this “world”, they feels the subtle and unbelievable changes have taken place in the details defamiliarize this “world” macroscopically, creating a distance with the reality.
 
展出现场1副本
部分展出现场之一 part of the installation
2018年展出于中国欧洲艺术中心,综合材料 mixed media, in Chinese European Art Center, 2018
 
上图所示中展出现场内影像装置中播出的视觉片段  
Part of the video in the installation showed above from “The Lasting Future” project
 
 
 
此次所展出的视觉片段中,影像呈现的是低强度的短暂的运动组合,静态照片中是一些人为景观中常见元素的客观呈现。艺术家着重于通过细节来提供不明确的信息,她从那些被控制着进行运动的物体出发,从机械的无生命的对象中,映射出人类活动与场所的关系,给观者呈现出了一组在视觉上明亮而简约的组合景象,却透着令人无法言说的不安感。艺术家以提问者的姿态出现在图像组合的背后,她不必说明它,观者也不必完全理解它,但是毋庸置疑的是有什么事情正在这个所构建的“世界”周围浮现出来。
In the visual segments included in this exhibition, the videos present brief movements of low intensity while the photos are objective demonstrations of the common elements in some artificial landscape. Jin focus on providing undefined information through details: the moving objects under control and the lifeless mechanical objects, the artist reflects the relationship between human activities and venues and presents the audience with a group of images which are looked bright and concise, but with unspeakable uneasiness. The artist appears behind the images as a questioner. She does not need to explain it and the audience doesn’t need to understand it thoroughly. However, something is emerging around this constructed “world” without doubt. 
 
展出现场2副本
部分展出现场之二 part of the installation
2018年展出于中国欧洲艺术中心,综合材料 mixed media, in Chinese European Art Center, 2018
 
上图所示中展出现场内影像装置中播出的视觉片段  
Part of the video in the installation showed above from “The Lasting Future” project
       作品中所呈现的部分视觉片段 Parts of visual segments appearing in this project
 
 
 
 
“我们所看到的任何东西也都可以是其他样子的。
   我们可以描述的任何东西也都可以是其他样子的。
 
   上帝不在世界之内显露自身。”                                ——路德维希·维特根斯坦
 
“  Whatever we see could be otherwise.
   Whatever we describe could be otherwise.
 
   God does not show himself inside the world.”
                                                                                     —- Ludwig Wittgenstein

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